When reactions are based solely on the weekly release of the anime, it's easy to forget to emphasize how masterful One Piece is at juggling and threading its immense number of subplots. Since the reveal of Pudding's dastardly nature, a lot has already changed. Luffy is out of prison, Pedro's finishing up his fight, Nami and Jimbei are off to reunite with the rest of the crew, and so on. I like how we get to enjoy the distinct feeling that most of the arc's conflicts are wrapping up, but just as things are settling down, Brook also gets captured. No matter how clean the path is to Luffy and Sanji's reconciliation, there's always going to be at least one more problem to take care of. One Straw Hat steps out of prison, and another just falls right in.
Brook's situation aside, this episode is probably the most positive development our heroes have gotten in a while. Just when things are starting to get hairy in Pedro's fight with Count Niwatori, the jaguar uses his trademark move (excessive amounts of dynamite) as a distraction to make his getaway, allowing Chopper and Carrot to pull him into the safe haven they've created in Brulee's mirror world. So that's three members of Team Straw Hat together, and then later they catch Nami and Jimbei running through the halls, bringing the gang up to five. Making the mirror world the meeting point for our main characters does a lot to pay off the endless padding we've spent on Carrot and Chopper's shenanigans up until now. Also, the sparkly shojo fanart that Carrot draws so that the sentient mirrors can locate their friends just makes me fall for her even harder. What a good bun.
The most mixed aspect of this episode is the amount of time spent on Luffy's dash through the Whole Cake Chateau looking for Sanji. It's probably the most well-animated portion of the episode, as Luffy picks fights with every enemy pirate that steps into his path, but it faces all the same padding challenges that we've come to sigh at. There's a lot that I like in this episode, but the story flow is very stiff as a result of drawn-out action that would have worked best zipping right past you.
In the theme of absolving the Straw Hats of conflict, Luffy finds himself in Reiju's hospital room, having just missed Sanji. Reiju catches Luffy up, confirming that Sanji knows about Pudding's lies and comforting anybody in the audience who might have been worried that this misconception would get in the way of the crew finally coming together. The efficiency at which the show addresses Every Little Thing that could keep Luffy and Sanji from making up would almost seem robotic if it weren't so charming. The only reason the story is delaying their reunion at this point is mostly a matter of poetry, as Luffy takes this chance to break out of the chateau and make a beeline for the spot where he and Sanji fought—the place where he promised he'd be waiting. Meanwhile, Sanji is struggling to decide what he wants to do. He has his freedom, but it's starting to become clear that he might have a problem leaving his family to die.
After an arc of ups and downs, it feels good to see the moving pieces start falling into place and for the real story to reveal itself. It's important that once Luffy and Sanji meet, there aren't any baggage or excuses for them not to be completely honest with each other, in direct contrast to what was going on in their fight where Sanji had to lie in order to appease his family. We're moving into the next big turning point of the Whole Cake Island arc, where clarity becomes one of the story's biggest strengths, and seeing things tidy up this elegantly goes a long way toward setting up that strong sense of focus.
T・P BON embodies the spirit of classic sci-fi adventure like almost no other recent anime.― I adore classic sci-fi, especially when it involves time travel and grand adventure. T・P BON embodies the spirit of classic sci-fi adventure like almost no other recent anime. Based on a 1978-1986 manga by Doraemon co-creator Fujiko F. Fujio, this ultra-shiny modern adaptation from studio BONES and director M...
Author pleads guilty to evading about 47 million yen in taxes from 2019-2021― Nekokurage (real name Erika Ikeda), the artist of one of the manga adaptations of The Apothecary Diaries light novels, pleaded guilty to tax evasion charges on Friday, during the case's first hearing at the Fukuoka District Court. During the hearing, Nekokurage admitted to the charges and stated they had "no intention of e...
Manga launched in 2009, inspired TV anime in 2014― Manga creator Mizuho Kusanagi confirmed on X (formerly Twitter) on Saturday that her Yona of the Dawn (Akatsuki no Yona) manga is in its final arc. Kusanagi referenced the final arc alongside the news that the manga won an award in the Long Seller Comics Division for the Rakuten Kobo e-Book Award 2024. Kusanagi — the creator of Mugen Spiral, Game X ...
Art resurfaces when he was announced as judge for Shonen Jump's Sports Manga Award― Being talented in one aspect of your life doesn't stop you from being talented in other aspects. For instance, former seven-time Mr. Olympia Arnold Schwarzenegger went on to have a prolific acting career. But what about Shōhei Ohtani, the biggest name in sports today? Well, it turns out he's not just one of the great...
I can't recommend the series, nor think that any hypothetical viewer would enjoy it, but it is the kind of trash TV that's rewarding to dissect.― Have you ever wondered what Baki would be like if it had a conservative bent instead of queer undertones? Well, look no further because the answer is Kengan Ashura! While Kengan is trying to convey the same spectacle and white-knuckle action of the long-ru...
Series starring Miku Martineau, Ayo Solanke, more starts production in Toronto― The Hollywood Reporter entertainment news site reported on Thursday that showrunner Simon Barry (Warrior Nun creator) and Boat Rocker Media are producing a live-action series for Netflix titled BET that "is based in part" on writer Homura Kawamoto and artist Tōru Naomura's Kakegurui - Compulsive Gambler manga. The show h...
Jean-Karlo attempts to condense two big video game showcases into a coherent column, from the revamped Silent Hill 2 to the grazing pastures of Story of Seasons.― Welcome back, folks. This is related to a big story for this week, but this past weekend, I listened to Utada Hikaru's re-recording of "Simple And Clean". It's very emotional. Utada Hikaru is a good twenty-plus years older than when she or...
In the Eisner-nominated work, Maki Fujiwara chronicles her daily life with her husband, lionized mangaka Yoshiharu Tsuge. Though deceptively simple at first glance, a foundation of abuse is slowly revealed.― At first blush, Maki Fujiwara's My Picture Diary does what it says on the tin. It tells the story of her daily life as a housewife and mother, spending time with her daily activities, noting the...
Now streaming on Netflix, Tomotaka Shibayama's first feature animation mixes the magical with reality to share a simple but important message.―
Director Tomotaka Shibayama's latest film, My Oni Girl, is an action-adventure drama with elements of a buddy comedy and a relatable coming-of-age story. The film, produced by Studio Colorido, was released in theaters in Japan and on Netflix on May 24, foll...
Kaiju No. 8 takes the top spot this week while Tonari no Yōkai-san pushes to #3 in the cmulative! Check out our weekly user rankings!― Let's have a look at what ANN readers consider the best (and worst) of the season,
based on the polls you can find in our Daily Streaming Reviews
and on the Your Score page with the latest simulcasts. Keep in mind that these rankings are based on how people rated in...
Mospeada is a work very much of its time, riffing on ideas and tropes that were all the rage when it was made, and doesn't do anything exceptional with them.― It can be easy for even longtime fans to forget that alongside Macross, there were two other 80's sci-fi anime that got Frankenstein-ed into what we'd eventually call Robotech. While this isn't the first time one of those series has made it to...
Following the upcoming retro programming block Toonami Rewind, Chris and Lucas look back fondly on the afternoons spent watching Naruto and Sailor Moon.― Following the upcoming retro programming block Toonami Rewind, Chris and Lucas look back fondly on the afternoons spent watching Naruto and Sailor Moon. Disclaimer: The views and opinions expressed by the participants in this chatlog are not the v...